Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 33
... creation en- trusted to the exercise of a natural power . Thus the instinct to imitate and the desire to know inspire both poet and spectator . The urge to mimicry , the impulse to copy , represent , transform , caricature , exaggerate ...
... creation en- trusted to the exercise of a natural power . Thus the instinct to imitate and the desire to know inspire both poet and spectator . The urge to mimicry , the impulse to copy , represent , transform , caricature , exaggerate ...
Page 52
... creation and the freedom of the literary personality with full rights to initiative , invention , and therefore nonconformism with aesthetic dogmas . In Rumanian literature , Bolliac rejected " the prison rules , " " Mr. Boi- leau's ...
... creation and the freedom of the literary personality with full rights to initiative , invention , and therefore nonconformism with aesthetic dogmas . In Rumanian literature , Bolliac rejected " the prison rules , " " Mr. Boi- leau's ...
Page 54
... creations , substantially equal to the previous ones , creation actually being anywhere and at any time of only one rank . Voltaire is right : " All genres are good except the boring ones . " The freq- uency and reputation of a genre is ...
... creations , substantially equal to the previous ones , creation actually being anywhere and at any time of only one rank . Voltaire is right : " All genres are good except the boring ones . " The freq- uency and reputation of a genre is ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
Copyright | |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing