Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 13
... creates the paradox of freeing itself from the heavy burden of reality , without leaving the realm of feelings . Music breaks this blind domination of reality which pre- vented it from contemplating and expressing itself aesthetically ...
... creates the paradox of freeing itself from the heavy burden of reality , without leaving the realm of feelings . Music breaks this blind domination of reality which pre- vented it from contemplating and expressing itself aesthetically ...
Page 138
... created . Sometimes a school assignment came out so well that it could claim a place in literature.87 The literary ... creating for himself , but the media supplier , whose job it is to furnish precisely defined commissioned work for ...
... created . Sometimes a school assignment came out so well that it could claim a place in literature.87 The literary ... creating for himself , but the media supplier , whose job it is to furnish precisely defined commissioned work for ...
Page 249
... created or discovered . Closely related to the " mythic " Lied is the ode , which Muschg includes within the ... creates the object - rela- tion , without becoming submerged in it . Therefore , in spite of the apparent autonomy of the ...
... created or discovered . Closely related to the " mythic " Lied is the ode , which Muschg includes within the ... creates the object - rela- tion , without becoming submerged in it . Therefore , in spite of the apparent autonomy of the ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
Copyright | |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing