Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 48
... consider to belong to the " genre , " others consider to be a " species . " What is " the novel " ? Is it a genre or a species ? According to some it is a " genre " just like all the " subdivisions " of the " fundamental " categories or ...
... consider to belong to the " genre , " others consider to be a " species . " What is " the novel " ? Is it a genre or a species ? According to some it is a " genre " just like all the " subdivisions " of the " fundamental " categories or ...
Page 160
... consider that the guslar has a specific story in his mind which in the beginning he is prepared to sing . He will not have memorized the rhetoric , as we know , but he will have pre- pared the " plot outline " of his song . If he ...
... consider that the guslar has a specific story in his mind which in the beginning he is prepared to sing . He will not have memorized the rhetoric , as we know , but he will have pre- pared the " plot outline " of his song . If he ...
Page 174
... consider his own reaction as a reader to be valid . I consider it more important to use this example , in its obviousness , to show the shift in the level of the argument . The transition from a strictly structural approach to one of ...
... consider his own reaction as a reader to be valid . I consider it more important to use this example , in its obviousness , to show the shift in the level of the argument . The transition from a strictly structural approach to one of ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
Copyright | |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing