Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 45
... classification , in contradiction to the poetic character of the lan- guage , which puts together lyrical , epic , and dramatic situations through its expressive , image - building , rhythmical potentialities.11 Language is at the same ...
... classification , in contradiction to the poetic character of the lan- guage , which puts together lyrical , epic , and dramatic situations through its expressive , image - building , rhythmical potentialities.11 Language is at the same ...
Page 106
... classification of basic forms , literary and nonliterary ? It might be objected that such classifications , like the schema of modes which I adopted , would be nonhistorical , because they would not correspond to the ways in which the ...
... classification of basic forms , literary and nonliterary ? It might be objected that such classifications , like the schema of modes which I adopted , would be nonhistorical , because they would not correspond to the ways in which the ...
Page 263
... classification may take , whatever the criteria by which we classify our sets ( 1966 : 12 ) . Thus we can ac- cept the traditional vertical genre classification preceding from the most general to the most specific as in the diagram on ...
... classification may take , whatever the criteria by which we classify our sets ( 1966 : 12 ) . Thus we can ac- cept the traditional vertical genre classification preceding from the most general to the most specific as in the diagram on ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
Copyright | |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing