Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 11
... claims to be “ advanced , ” has found no better way to innovate and affirm its freedom than by trying to obliterate the past or confine it to a museum where admi- ration is permitted but restricted to the premises , and also by ...
... claims to be “ advanced , ” has found no better way to innovate and affirm its freedom than by trying to obliterate the past or confine it to a museum where admi- ration is permitted but restricted to the premises , and also by ...
Page 128
... claim , in fact , that no explicit typology can be established without having recourse to the theory of texts ( a T ... claims indicate the cor- rect course . True , it is a very long and tedious road , but it is the only one there is ...
... claim , in fact , that no explicit typology can be established without having recourse to the theory of texts ( a T ... claims indicate the cor- rect course . True , it is a very long and tedious road , but it is the only one there is ...
Page 138
... claim a place in literature.87 The literary feuds between contemporary poets are often fought under the banner of the struggle for existence.88 The transformation of generally moral- izing forms , such as Spruch literature and beast ...
... claim a place in literature.87 The literary feuds between contemporary poets are often fought under the banner of the struggle for existence.88 The transformation of generally moral- izing forms , such as Spruch literature and beast ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
Copyright | |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing