Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 36
... character are everything . It would be foolish to raise again the purely formal issue of the ancient quarrel between character and plot . It is obvious that the Aristotelian distinction cannot be made into an absolute separa- tion .
... character are everything . It would be foolish to raise again the purely formal issue of the ancient quarrel between character and plot . It is obvious that the Aristotelian distinction cannot be made into an absolute separa- tion .
Page 60
... characters do . And what a char- acter does in a play - the function he performs - will depend on what sort of a character he is . Function depends on charac- terization , in drama . The truth inscribed on both sides of this reversible ...
... characters do . And what a char- acter does in a play - the function he performs - will depend on what sort of a character he is . Function depends on charac- terization , in drama . The truth inscribed on both sides of this reversible ...
Page 234
... character ( e.g. , the plays of Hofmannstal ) or an epic one ( e.g. , Brecht's epic theater ) . Wolfgang Kayser's system of literary genres is closely related to Staiger's " fundamental poetics . " However , whereas Staiger concentrated ...
... character ( e.g. , the plays of Hofmannstal ) or an epic one ( e.g. , Brecht's epic theater ) . Wolfgang Kayser's system of literary genres is closely related to Staiger's " fundamental poetics . " However , whereas Staiger concentrated ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
Copyright | |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing