Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 15
... century and the beginning of this century , would not have taken place if we had realized that , beside a poetic form of art , a fictional form of art had kept its place in painting and was able to continue to thrive . This is proven by ...
... century and the beginning of this century , would not have taken place if we had realized that , beside a poetic form of art , a fictional form of art had kept its place in painting and was able to continue to thrive . This is proven by ...
Page 87
... century , with particular reference to the emergence of the term Darstellung , which came to be used increasingly in ... century , including Opitz's Buch von der deutschen Poeterey and Gottsched's Versuch einer critischen Dichtkunst vor ...
... century , with particular reference to the emergence of the term Darstellung , which came to be used increasingly in ... century , including Opitz's Buch von der deutschen Poeterey and Gottsched's Versuch einer critischen Dichtkunst vor ...
Page 209
... century , plays went by the name of poems ; tragedies and come- dies were often indifferently styled comedies , although complex theories on the distinction between the two ( or more ) kinds of comedy were rampant.1 During the next century ...
... century , plays went by the name of poems ; tragedies and come- dies were often indifferently styled comedies , although complex theories on the distinction between the two ( or more ) kinds of comedy were rampant.1 During the next century ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
Copyright | |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing