Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 81
... called genres . A single term is used for two such disparate things . In order to be unambiguous and logical , however , we must restrict the term to one of the two . Thus if the lyric as a whole is to be called a genre , then elegy ...
... called genres . A single term is used for two such disparate things . In order to be unambiguous and logical , however , we must restrict the term to one of the two . Thus if the lyric as a whole is to be called a genre , then elegy ...
Page 105
... called a roman , or a roman d'analyse , rather than an essai romancé . Some texts published in France in the 1950s consist mostly of narrative fragments which do not constitute one coher- ent narration . But most commentators remain ...
... called a roman , or a roman d'analyse , rather than an essai romancé . Some texts published in France in the 1950s consist mostly of narrative fragments which do not constitute one coher- ent narration . But most commentators remain ...
Page 108
... called “ novel , ” the fact that narratively coher- ent texts continued to be published at the time and are still pub- lished now need not bother him too much . He may say either that the narratively incoherent texts are freaks ...
... called “ novel , ” the fact that narratively coher- ent texts continued to be published at the time and are still pub- lished now need not bother him too much . He may say either that the narratively incoherent texts are freaks ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
Copyright | |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing