Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 48
... belong to the " genre , " others consider to be a " species . " What is " the novel " ? Is it a genre or a species ? According to some it is a " genre " just like all the " subdivisions " of the " fundamental " categories or genres , a ...
... belong to the " genre , " others consider to be a " species . " What is " the novel " ? Is it a genre or a species ? According to some it is a " genre " just like all the " subdivisions " of the " fundamental " categories or genres , a ...
Page 59
... belong to the genre . But the class doesn't tell us why any individual is a member of the class , any more than a list of the features shared by vertebrates tells us why any individual vertebrate has these features . The second passage ...
... belong to the genre . But the class doesn't tell us why any individual is a member of the class , any more than a list of the features shared by vertebrates tells us why any individual vertebrate has these features . The second passage ...
Page 202
... belong to the " intermediate realms of Maybe , ” Burke seems to consider them as manifestations of that third type of " attitude toward history . " Since he avowedly views genres as " re- cordings on the dial , " we need not blame him ...
... belong to the " intermediate realms of Maybe , ” Burke seems to consider them as manifestations of that third type of " attitude toward history . " Since he avowedly views genres as " re- cordings on the dial , " we need not blame him ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
Copyright | |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing