Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 34
... become increasingly probable . At the end , everything has become necessary . From the conflict between Bolingbroke and Mobray in the first act of Richard II anything can follow . By act 3 even Richard himself senses the probable ...
... become increasingly probable . At the end , everything has become necessary . From the conflict between Bolingbroke and Mobray in the first act of Richard II anything can follow . By act 3 even Richard himself senses the probable ...
Page 49
... become reintegrated into its original unity . The latent movement of the genres being considered the recovery of ... become “ warm , ” “ full of passion " ; when they approach geometry , they become " transparent , " " empty , " and ...
... become reintegrated into its original unity . The latent movement of the genres being considered the recovery of ... become “ warm , ” “ full of passion " ; when they approach geometry , they become " transparent , " " empty , " and ...
Page 54
... become infe- rior , nor does the mixed genre become necessarily superior be- cause the former allegedly lacks the substance of the fundamental genre while the latter , on the contrary , allegedly contains all of them . To the extent to ...
... become infe- rior , nor does the mixed genre become necessarily superior be- cause the former allegedly lacks the substance of the fundamental genre while the latter , on the contrary , allegedly contains all of them . To the extent to ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
Copyright | |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing