Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 46
... basis of deduction but on the basis of ascription , of conventional categorial definition . In this light ( though the study of genre structure is still in a primary stage ) the genres may be seen as " composition units ...
... basis of deduction but on the basis of ascription , of conventional categorial definition . In this light ( though the study of genre structure is still in a primary stage ) the genres may be seen as " composition units ...
Page 57
... basis of similarities found within them , and let us consider genre theory - a subcategory of genre criticism - as the attempt to use the existence of such genres to construct a theory of criticism or a special and perhaps privi- leged ...
... basis of similarities found within them , and let us consider genre theory - a subcategory of genre criticism - as the attempt to use the existence of such genres to construct a theory of criticism or a special and perhaps privi- leged ...
Page 72
... basis of the single vertebra which he had at his disposal . Knowing the structure of the literary work , one ought to be able , knowing a single trait , to reconstruct all the others . The analogy is valid , moreover , precisely at the ...
... basis of the single vertebra which he had at his disposal . Knowing the structure of the literary work , one ought to be able , knowing a single trait , to reconstruct all the others . The analogy is valid , moreover , precisely at the ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
Copyright | |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing