Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 12
... appears to us in an objective form , from the outside , governed by universal laws , as is visible in the novels of psychological analysis . He also appears to us in a subjective form , in each one of us , in a unique manner . The poet ...
... appears to us in an objective form , from the outside , governed by universal laws , as is visible in the novels of psychological analysis . He also appears to us in a subjective form , in each one of us , in a unique manner . The poet ...
Page 179
... appears as reality as long as we , as we read it or watch it enacted , abide within it ; but ne- vertheless it does not appear as if it were a reality . " 34 But does the fairy tale retain the as - if structure of reality ( mimesis ) if ...
... appears as reality as long as we , as we read it or watch it enacted , abide within it ; but ne- vertheless it does not appear as if it were a reality . " 34 But does the fairy tale retain the as - if structure of reality ( mimesis ) if ...
Page 205
... appears designed for the printed page . The " singer " of lyric poems pretends to be com- muning with himself or , at any rate , with someone other than his actual listener or reader who , in John Stuart Mill's phrase , “ over- hears ...
... appears designed for the printed page . The " singer " of lyric poems pretends to be com- muning with himself or , at any rate , with someone other than his actual listener or reader who , in John Stuart Mill's phrase , “ over- hears ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
Copyright | |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing