Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 96
... appear as the raison d'être of the playful and aesthetic shifts of intentionality . If the field of our practical incarnation were a poetic cosmos , there would be no need , and no possibility , to write and recite poems . Furthermore ...
... appear as the raison d'être of the playful and aesthetic shifts of intentionality . If the field of our practical incarnation were a poetic cosmos , there would be no need , and no possibility , to write and recite poems . Furthermore ...
Page 129
... appear . Let us now turn to the particular situation of medieval literature as the object of a generative poetics . We must note at the outset that such a poetics is only conditionally possible . Dead languages have no competence ; the ...
... appear . Let us now turn to the particular situation of medieval literature as the object of a generative poetics . We must note at the outset that such a poetics is only conditionally possible . Dead languages have no competence ; the ...
Page 179
... appears as reality as long as we , as we read it or watch it enacted , abide within it ; but ne- vertheless it does not appear as if it were a reality . " 34 But does the fairy tale retain the as - if structure of reality ( mimesis ) if ...
... appears as reality as long as we , as we read it or watch it enacted , abide within it ; but ne- vertheless it does not appear as if it were a reality . " 34 But does the fairy tale retain the as - if structure of reality ( mimesis ) if ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing