Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 176
... analysis thus tran- scends the realm of the formal structures revealed in the text to include the reading experience . The paradoxical relationship be- tween the structural nature of a text — for example , mimesis or fiction and ...
... analysis thus tran- scends the realm of the formal structures revealed in the text to include the reading experience . The paradoxical relationship be- tween the structural nature of a text — for example , mimesis or fiction and ...
Page 189
... analyses it can point toward differing textual structures , which also are implanted in the reception . I am using ... analysis of the relationship between structure and reception . Cf. Hamburger , Logic , p . 292 . In order to prevent ...
... analyses it can point toward differing textual structures , which also are implanted in the reception . I am using ... analysis of the relationship between structure and reception . Cf. Hamburger , Logic , p . 292 . In order to prevent ...
Page 234
... analysis . Kayser postulates a “ structural character " ( Gefügecharakter ) of lit- erary language which is based on the interaction of the various levels of literary realization and which is determined by the stylis- tic principle ...
... analysis . Kayser postulates a “ structural character " ( Gefügecharakter ) of lit- erary language which is based on the interaction of the various levels of literary realization and which is determined by the stylis- tic principle ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
Copyright | |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Moličre narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing