Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 55
... ( Paris , 1957 ) , 2 : 1731-34 . J.E. Spingarn , La Critica letteraria nel Rinascimento ( Bari , 1905 ) , pp . 60–61 . Northrop Frye , " Theory of genres , " in Anatomy of Criticism ( Princeton , N.J. , 1957 ) , pp . 247-48 . André Jolles ...
... ( Paris , 1957 ) , 2 : 1731-34 . J.E. Spingarn , La Critica letteraria nel Rinascimento ( Bari , 1905 ) , pp . 60–61 . Northrop Frye , " Theory of genres , " in Anatomy of Criticism ( Princeton , N.J. , 1957 ) , pp . 247-48 . André Jolles ...
Page 225
... ( Paris , 1667 ) ; critical edition by Georges Couton ( Paris , 1961 ) . Cf. Marvin T. Herrick , Comic Theory in the Sixteenth Century ( Urbana , Ill . , 1964 ) and , Tragicomedy ( Urban , Ill . , 1962 ) . Attention is called to the need ...
... ( Paris , 1667 ) ; critical edition by Georges Couton ( Paris , 1961 ) . Cf. Marvin T. Herrick , Comic Theory in the Sixteenth Century ( Urbana , Ill . , 1964 ) and , Tragicomedy ( Urban , Ill . , 1962 ) . Attention is called to the need ...
Page 227
... ( Paris , 1970 ) ; Littérature 8 ( December 1972 ) : Le fantastique . The bulk of Todorov's publications are derived from his unpublished thesis , directed by Roland Barthes , on Les liaisons dangereuses . Cf. “ Les catégories du récit ...
... ( Paris , 1970 ) ; Littérature 8 ( December 1972 ) : Le fantastique . The bulk of Todorov's publications are derived from his unpublished thesis , directed by Roland Barthes , on Les liaisons dangereuses . Cf. “ Les catégories du récit ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
Copyright | |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing