Yearbook of Comparative Criticism, Volume 8Joseph Strelka |
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Page 130
... Middle Ages.45 Though an abundance of texts from the late Middle Ages has survived , they have been only partially edited at present . The scarcity of the extant texts shows up particularly in the fact that we have no autographs or ...
... Middle Ages.45 Though an abundance of texts from the late Middle Ages has survived , they have been only partially edited at present . The scarcity of the extant texts shows up particularly in the fact that we have no autographs or ...
Page 131
... Middle Ages corresponds today to an om- nipotence of prose . " 53 This image reflects the fact that the verse inserts , so beloved from the Old Irish cycles and the Icelandic sagas to Goethe's Mignon , have disappeared from the prose ...
... Middle Ages corresponds today to an om- nipotence of prose . " 53 This image reflects the fact that the verse inserts , so beloved from the Old Irish cycles and the Icelandic sagas to Goethe's Mignon , have disappeared from the prose ...
Page 138
... Middle Dutch epic Van den Vos Reinaerde , Willem van Baudeloo ( a Flemish monk commissioned by the count to conduct some realty business ) , stands in a dependent position at the center of the political battle for Flanders . Major epics ...
... Middle Dutch epic Van den Vos Reinaerde , Willem van Baudeloo ( a Flemish monk commissioned by the count to conduct some realty business ) , stands in a dependent position at the center of the political battle for Flanders . Major epics ...
Contents
DICHOTOMY OF ARTISTIC GENRES | 3 |
TOWARD A DEFINITION OF LITERARY GENRES | 41 |
SOME IDIOSYNCRATIC CONCEPTS | 80 |
Copyright | |
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aesthetic Andromaque Aristotle artistic aspect attitude audience ballad basic century character classification comedy comic concept criteria defined definition Dichtung distinction distinguish drama elements epic epic theater example experience expression fact fiction first-person narrative French Frye Frye's function genre theory German Hamburger hero historical human imagination imitatio individual interpretation Jan Mukařovský kind language linguistic literary criticism literary genres literature littérature logical ludic-aesthetic lyric poetry meaning medieval Middle Ages mimesis mimetic Minnesangs modes Molière narration narrative nature norm novel object oral Paris performance philosophical play poem poet poetic possible Prague Linguistic Circle present preterit principle problem prose question Racine's reader reality statement reception relation relationship Roman Jakobson satire semiotic sense songs specific Staiger statement-subject story structure subforms T.S. Eliot themes tion tive Todorov Tom Jones traditional tragedy tragic types Tzvetan Todorov University verse word writing