"Elocutionary Manual.": The Principles of Elocution, with Exercises and Notations, for Pronunciation, Intonation, Emphasis, Gesture and Emotional Expression |
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Page viii
... HAND AND ARM IN MOTION 216 Diagrams 37-38 VI . APPLICATION OF GESTURE 218 Directive gestures . - their pictorial arrangement 44-47 Illustrative gestures 48-49 Emotive gestures 50 Colloquial gestures 52 VII . EXAMPLES OF APPLICATION OF ...
... HAND AND ARM IN MOTION 216 Diagrams 37-38 VI . APPLICATION OF GESTURE 218 Directive gestures . - their pictorial arrangement 44-47 Illustrative gestures 48-49 Emotive gestures 50 Colloquial gestures 52 VII . EXAMPLES OF APPLICATION OF ...
Page ix
... hands Parts of the body on which the hands may be · The head and face X. ORDER OF SYMBOLIC ARRANGEMENT SYMBOLIC LETTERS XII . APPLICATION OF THE NOTATION OF GES- TURE • XIII . ILLUSTRATIONS Macbeth to the Dagger . - Marco Bozzaris XIV ...
... hands Parts of the body on which the hands may be · The head and face X. ORDER OF SYMBOLIC ARRANGEMENT SYMBOLIC LETTERS XII . APPLICATION OF THE NOTATION OF GES- TURE • XIII . ILLUSTRATIONS Macbeth to the Dagger . - Marco Bozzaris XIV ...
Page 30
... hand of man has fashioned , it surely must when properly handled , be easier to be played on than a pipe ! " 66 17. There is an important point of difference , however , between the human speaking machine and artificial wind instruments ...
... hand of man has fashioned , it surely must when properly handled , be easier to be played on than a pipe ! " 66 17. There is an important point of difference , however , between the human speaking machine and artificial wind instruments ...
Page 33
... hand , holding them nearly to the middle joints in the right hand , and forcing the breath between their moistened edges . The aperture thus obtained between the fingers , from the knuckles to the next joints , is of about the same size ...
... hand , holding them nearly to the middle joints in the right hand , and forcing the breath between their moistened edges . The aperture thus obtained between the fingers , from the knuckles to the next joints , is of about the same size ...
Page 35
... hand , laying the fingers of the left hand on the right cheek , and slowly bringing the whole hand across the mouth : the vowel quality of the sound will be changed with every diminution of the oral aperture , progressively becoming uh ...
... hand , laying the fingers of the left hand on the right cheek , and slowly bringing the whole hand across the mouth : the vowel quality of the sound will be changed with every diminution of the oral aperture , progressively becoming uh ...
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Principles of Elocution: With Exercises and Notations for Pronunciation ... Alexander Melville Bell No preview available - 2014 |
Common terms and phrases
accented syllable action adverb antithesis aperture articulation breath Brutus Cæsar chest Christian clause compound dead death dialects Diphthong doth earth effect Elocution emphasis emphatic exercise expressive fall fear feel fool gesture give glottis grammatical hand hath heard heart heaven honour idea imitative implied inflexion labial Labio-Lingual larynx letters light lingual lips look lower lungs marked mind mode modulation monophthong motion motley fool mouth nature never notation nounced o'er open vowel oral oratorical P. J. Bailey passion pauses phatic pitch poor predicate principle pronunciation reading rising Scotch sense sentence separate Shakespeare small ee soft palate sorrow soul speak speaker spirit syllables tears tence thee things thou thought tion tones tongue unaccented unemphatic utterance verb Visible Speech vocal voice Vowel Scheme vowel sound W. E. Aytoun weep wind words wretched
Popular passages
Page 202 - How like a fawning publican he looks ! I hate him for he is a Christian; But more for that in low simplicity He lends out money gratis, and brings down (The rate of usance here with us in Venice.
Page 198 - And, like a man to double business bound, I stand in pause where I shall first begin, And both neglect. What if this cursed hand Were thicker than itself with brother's blood, Is there not rain enough in the sweet heavens To wash it white as snow?
Page 201 - Thou tremblest ; and the whiteness in thy cheek Is apter than thy tongue to tell thy errand. Even such a man, so faint, so spiritless, So dull, so dead in look, so woe-begone, Drew Priam's curtain in the dead of night...
Page 224 - O, young Lochinvar is come out of the west, Through all the wide Border his steed was the best ; And save his good broad-sword he weapon had none, He rode all unarmed, and he rode all alone. So faithful in love, and so dauntless in war, There never was knight like the young Lochinvar.
Page 181 - As a sick girl. Ye gods ! it doth amaze me A man of such a feeble temper should So get the start of the majestic world And bear the palm alone.
Page 192 - All murder'd: for within the hollow crown That rounds the mortal temples of a king Keeps Death his court and there the antic sits, Scoffing his state and grinning at his pomp, Allowing him a breath, a little scene, To monarchize, be fear'd and kill with looks, Infusing him with self and vain conceit, As if this flesh which walls about our life, Were brass impregnable, and humour'd thus Comes at the last and with a little pin Bores through his castle wall, and farewell king!
Page 168 - Julius bleed for justice' sake? What villain touch'd his body, that did stab, And not for justice? What, shall one of us, That struck the foremost man of all this world, But for supporting robbers ; shall we now Contaminate our fingers with base bribes ? And sell the mighty space of our large honors, For so much trash, as may be grasped thus?
Page 160 - I fondly ask: but Patience, to prevent That murmur, soon replies, 'God doth not need Either man's work or his own gifts. Who best Bear his mild yoke, they serve him best: his state Is kingly: thousands at his bidding speed, And post o'er land and ocean without rest; They also serve who only stand and wait.
Page 204 - Would he were fatter ; but I fear him not : Yet if my name were liable to fear, I do not know the man I should avoid So soon as that spare Cassius. He reads much ; He is a great observer, and he looks Quite through the deeds of men...
Page 173 - Now, my co-mates and brothers in exile, Hath not old custom made this life more sweet Than that of painted pomp? Are not these woods More free from peril than the envious court? Here feel we but the penalty of Adam, — The seasons...