Theories of Art: 2. From Winckelmann to Baudelaire

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Routledge, Oct 18, 2013 - Art - 432 pages
This second book in Moshe Barasch's series on art theory surveys the development of the field from the early eighteenth to the mid-nineteenth centuries. During this period theories of the visual arts, particularly of painting and sculpture, underwent a radical transformation, as a result of which the intellectual foundations of our modern views on the arts were formed. Because this transformation can only be understood within the context of cultural, aesthetic, and philosophical developments of the period, Barasch surveys the opinions of the artists, as well as the doctrines of philosophers, poets and critics. He thus traces for the reader the entire development of modernism in art and art theory.
 

Contents

The Early Eighteenth Century
4
Beginnings of the New
75
3
109
The nature of the Ideal
118
Unity and Diversity in the Visual Arts
146
Reconstructing the Unity of the Arts
171
Merging the Arts
199
The Symbol
224
Color Symbolism
265
The Painters
309
Positivism
319
The Great Masters
347
Bibliographical Essay
391
Index
409
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About the author (2013)

Moshe Barasch is Jack Cotton Professor of Architecture and Fine Arts at the Hebrew University of Jerusalem and author of numerous books on art, including The Languageof Art: Studies in Interpretation (1997) and Icon:Studies in the History of an Idea (1995).

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