ways and taverns, rising by the water's edge, with bells ringing above them in the air, and ever and again out of their arched doors a swell of music pealing.

There they remain, the grand old sanctuaries of the past, shut in amid the squalor, the hurry, the crowds, the unloveliness, and the commerce of the modern world, and all day long the clouds drift, and the birds circle, and the winds sigh around them, and beneath the earth at their feet there sleepsRubens.

And the greatness of the mighty master still rests upon Antwerp. Wherever we turn in its narrow streets his glory lies therein, so that all mean things are thereby transfigured; and as we pace slowly through the winding ways, and by the edge of the stagnant waters, and through the noisome courts, his spirit abides with us, and the heroic beauty of his visions is about us, and the stones that once felt his footsteps, and bore his shadow, seem to rise and speak of him with living voices. For the city which is the tomb of Rubens still lives to us through him, and him alone.

Now, the trouble of Patrasche was this:

Into these great, sad piles of stones, that reared their melancholy majesty above the crowded roofs, the child Nello would many and many a time enter and disappear through their dark, arched portals, while Patrasche, left upon the pavement, would wearily and vainly ponder on what could be the charm which allured from him his inseparable and beloved companion.

Once or twice he did essay to see for himself, clattering up the steps with his milk cart behind him,

but thereon he had been always sent back again summarily by a tall custodian in black clothes and silver chains of office, and, fearful of bringing his little master into trouble, he desisted and crouched patiently before the church until such time as the boy reappeared.

What was it? wondered Patrasche.

He thought it could not be good or natural for the lad to be so grave, and in his dumb fashion he tried all he could to keep Nello by him in the sunny fields or in the busy market places.

But to the church Nello would go. Most often of all he would go to the great cathedral; and Patrasche, left without on the stones by the iron fragments of the Quentin Matsys's gate, would stretch himself and yawn and sigh, and even howl now and then, all in vain, until the doors closed and the child perforce came forth again, and, winding his arms about the dog's neck, would kiss him on his broad, tawny-colored forehead and murmur always the same words:

"If I could only see them, Patrasche! If I could only see them!"

What were they? pondered Patrasche, looking up with large, wistful, sympathetic eyes.

One day, when the custodian was out of the way and the doors left ajar, he got in for a moment after his friend, and saw. "They" were two great covered pictures on either side of the choir.

Nello was kneeling, wrapt as in an ecstasy, before the altar picture of the "Assumption," and when he noticed Patrasche and rose and drew the dog gently out into the air, his face was wet with tears, and he looked up at the veiled places as he passed them and murmured to his companion:

"It is so terrible not to see them, Patrasche, just because one is poor and cannot pay! He never meant that the poor should not see them when he painted them, I am sure. And they keep them shrouded there-shrouded in the dark-the beautiful things! And they never feel the light, and no eyes look upon them unless rich people come and pay. If I could only see them I would be content to die."

But he could not see them, and Patrasche could

not help him, for to gain the silver piece that the church exacts for looking on the glories of the "Elevation of the Cross" and the "Descent from the Cross" was a thing as utterly beyond the powers of either of them as it would have been to scale the heights of the cathedral spire.

The whole soul of the little Ardennois thrilled and stirred with an absorbing passion for art.

Going on his way through the old city in the early daybreak before the sun or the people had seen them, Nello, who looked only a little peasant boy, with a great dog drawing milk to sell from door to door, was in a heaven of dreams whereof Rubens was the god. Nello, cold and hungry, with stockingless feet in wooden shoes, and the winter winds blowing among his curls and lifting his poor, thin garments, was in rapture of meditation wherein all that he saw was the beautiful face of the Mary of "Assumption," with the waves of her golden hair lying upon her shoulders and the light of an eternal sun shining down upon her brow. Nello, reared in poverty, and buffeted by fortune, and untaught in letters, and unheeded by men, had the compensation or the curse which is called genius.

No one knew it-he as little as any. No one knew it.

"I should go to my grave quite content if I thought, Nello, that when thou growest a man thou couldst own this hut and the little plat of ground and labor for thyself and be called Baas by thy neighbors," said the old man Jehan many an hour from his bed.

Nello dreamed of other things in the future than of tilling the little rood of earth, and living under

A

the wattle roof, and being called Baas by neighbors, a little poorer or a little less poor than himself. The cathedral spire, where it rose beyond the fields in the ruddy evening skies or in the dim, gray, misty morning, said other things to him than this. But these he told only to Patrasche, whispering, childlike, his fancies in the dog's ear when they went together at their work through the fogs of the daybreak or lay together at their rest amongst the rustling rushes by the water's side.

There was only one other besides Patrasche to whom Nello could talk at all of his daring fancies: This other was little Alois, who lived at the old red mill on the grassy mound, and whose father, the miller, was the best-to-do husbandman in all the village.

Little Alois was a pretty baby, with soft, round, rosy features, made lovely by those sweet, dark eyes that the Spanish rule has left in so many a Flemish face.

Little Alois often was with Nello and Patrasche. They played in the fields, they ran in the snow, they gathered the daisies and bilberries, they went up to the old gray church together, and they often sat together by the broad wood fire in the millhouse.

One day her father, Baas Cogez, a good man, but stern, came on a pretty group in the long meadow behind the mill.

It was his little daughter sitting amidst the hay, with the great, tawny head of Patrasche on her lap, and many wreaths of poppies and blue cornflowers round them both. On a clean, smooth slab of pine wood the boy Nello drew their likeness with a stick of charcoal.