Lectures on Rhetoric and Belles Lettres |
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Page 9
... consequence of discourse and writing . It is obvious , then , that writing and discourse are objects entitled to the highest attention . Whether the influence of the speaker , or the entertainment of the hearer , be consulted ; whether ...
... consequence of discourse and writing . It is obvious , then , that writing and discourse are objects entitled to the highest attention . Whether the influence of the speaker , or the entertainment of the hearer , be consulted ; whether ...
Page 11
... consequence of their prevailing inclination , may have the view of being employed in com- position , or in public speaking . Others , without any prospect of this kind , may wish only to improve their taste with respect to wri- ting and ...
... consequence of their prevailing inclination , may have the view of being employed in com- position , or in public speaking . Others , without any prospect of this kind , may wish only to improve their taste with respect to wri- ting and ...
Page 21
... consequence of which would be , that all studies or regu- lar inquiries concerning the objects of taste were vain . In architec- ture , the Grecian models were long esteemed the most perfect . In succeeding ages , the Gothic ...
... consequence of which would be , that all studies or regu- lar inquiries concerning the objects of taste were vain . In architec- ture , the Grecian models were long esteemed the most perfect . In succeeding ages , the Gothic ...
Page 22
... consequence must immediately follow , that all tastes are equally good ; a position , which , though it may pass unnoticed in slight matters , and when we speak of the lesser differences among the tastes of men , yet when we apply it to ...
... consequence must immediately follow , that all tastes are equally good ; a position , which , though it may pass unnoticed in slight matters , and when we speak of the lesser differences among the tastes of men , yet when we apply it to ...
Page 26
... ? If there is no standard of taste , what consequence follows ? Of this position what is remarked ? How is this illustrated ? As it would be con- sidered extravagant to talk in this acquire authority in matters ( 26 a )
... ? If there is no standard of taste , what consequence follows ? Of this position what is remarked ? How is this illustrated ? As it would be con- sidered extravagant to talk in this acquire authority in matters ( 26 a )
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Common terms and phrases
action advantage Æneid agreeable ancient appear Aristotle attention beauty character chiefly Cicero circumstances comedy composition connexion considered critics Dean Swift degree Demosthenes dignity discourse distinct distinguished effect elegant eloquence employed English English language epic epic poem epic poetry expression fancy figures French genius give given grace Greek guage hearers Hence Homer ideas Iliad illustrated imagination imitation instance introduced Isocrates ject kind language lecture manner means ment metaphor mind modern moral narration nature never objects observed occasion orator ornament particular passage passion peculiar persons perspicuity pleasure poem poet poetical poetry principles proper propriety prose public speaking Quintilian racters reason remark follows render Roman rule scene sense sensible sentence sentiments sermons simplicity Sophocles sort sound speaker species speech style sublime syllables Tacitus taste tence thing thought Thucydides tion tragedy tropes unity verse Virgil Voltaire whole words writing
Popular passages
Page 168 - Thou hast brought a vine out of Egypt : Thou hast cast out the heathen, and planted it. Thou preparedst room before it, And didst cause it to take deep root, And it filled the land. The hills were covered with the shadow of it, And the boughs thereof were like the goodly cedars. She sent out her boughs unto the sea, And her branches unto the river.
Page 179 - How art thou fallen from Heaven, O Lucifer, son of the morning ! how art thou cut down to the ground, which didst weaken the nations...
Page 452 - Gently o'er the accustomed oak. Sweet bird, that shunn'st the noise of folly, Most musical, most melancholy! Thee, chauntress, oft the woods among I woo, to hear thy even-song; And missing thee, I walk unseen On the dry smooth-shaven green. To behold the wandering moon, Riding near her highest noon. Like one that had been led astray Through the heaven's wide pathless way, And oft, as if her head she bowed, Stooping through a fleecy cloud.
Page 461 - And the parched ground shall become a pool, and the thirsty land springs of water : in the habitation of dragons where each lay, shall be grass with reeds and rushes.
Page 452 - Swinging slow with sullen roar; Or if the air will not permit, Some still removed place will fit, Where glowing embers through the room Teach light to counterfeit a gloom, Far from all resort of mirth, Save the cricket on the hearth, Or the bellman's drowsy charm To bless the doors from nightly harm.
Page 459 - Give unto the LORD the glory due unto his name : bring an offering, and come into his courts. O worship the LORD in the beauty of holiness : fear before him, all the earth.
Page 44 - Arch-Angel ruin'd, and the excess Of glory obscured : as when the sun, new risen, Looks through the horizontal misty air Shorn of his beams; or from behind the moon, In dim eclipse, disastrous twilight sheds On half the nations, and with fear of change Perplexes monarchs.
Page 40 - And he rode upon a cherub, and did fly: yea, he did fly upon the wings of the wind. He made darkness his secret place: his pavilion round about him were dark waters and thick clouds of the skies.
Page 459 - Who shall ascend into the hill of the Lord? and who shall stand in his holy place? He that hath clean hands, and a pure heart; who hath not lifted up his soul unto vanity, nor sworn deceitfully.
Page 217 - It is this sense which furnishes the imagination with its ideas, so that by the pleasures of the imagination or fancy (which I shall use promiscuously) I here mean such as arise from visible objects, either when we have them actually in our view, or when we call up their ideas into our minds by paintings, statues, descriptions, or any the like occasion.