P. Vergili Maronis Opera: Virgil with an Introduction and NotesClarendon Press, 1892 |
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Page 14
... give back , but to give duly or properly , to the right person : cp . reddere litteras , of the letter - carrier's delivery ; rationem reddere ' to render an account , ' etc. · 25-27 . tu illum , sc . vicisti , from victus above ...
... give back , but to give duly or properly , to the right person : cp . reddere litteras , of the letter - carrier's delivery ; rationem reddere ' to render an account , ' etc. · 25-27 . tu illum , sc . vicisti , from victus above ...
Page 15
... give close attention to , ' lit. place in your inmost feelings . ' 59. alternis , ' with alternate verses , ' di ' àμoßaíav Theocr . viii . 61. The rule of amoebaean ' song is that the second competitor replies to the first in the same ...
... give close attention to , ' lit. place in your inmost feelings . ' 59. alternis , ' with alternate verses , ' di ' àμoßaíav Theocr . viii . 61. The rule of amoebaean ' song is that the second competitor replies to the first in the same ...
Page 20
... smells like the rose , but is too brittle to be woven into garlands . 21. fiebant . A spondee in the first foot with a pause after it gives a certain slowness and heaviness to the rhythm , and is 20 BUCOLICS . ECL . V. 1-21 .
... smells like the rose , but is too brittle to be woven into garlands . 21. fiebant . A spondee in the first foot with a pause after it gives a certain slowness and heaviness to the rhythm , and is 20 BUCOLICS . ECL . V. 1-21 .
Page 27
... give up singing . ' Libethrus was a fountain on Helicon . Codrus , see on Ecl . v . 11. fnoit : aut , sce Introd . p . 17. sacra , i . e . to l'an , the inventor of the pipe . Disused implements were often dedicated to some patron deity ...
... give up singing . ' Libethrus was a fountain on Helicon . Codrus , see on Ecl . v . 11. fnoit : aut , sce Introd . p . 17. sacra , i . e . to l'an , the inventor of the pipe . Disused implements were often dedicated to some patron deity ...
Page 29
... gives its title to the Eclogue . Each song has ten parts divided by a recur- ring burden . The dedication of the poem to Pollio , now returning from his campaign against the Parthini in Illyricum , fixes its date to 39 B. C. Whether ...
... gives its title to the Eclogue . Each song has ten parts divided by a recur- ring burden . The dedication of the poem to Pollio , now returning from his campaign against the Parthini in Illyricum , fixes its date to 39 B. C. Whether ...
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Common terms and phrases
accus Achilles adeo adverbial Aeneas Aeneid Anchises animi apodosis Apollo arma atque Augustus best MSS Caesar called Catull clause constr construction Cybele dative death denotes Dido earth ECLOGUE enim Ennius epithet etiam expression favour gods Greek haec heaven Helenus hendiadys hiatus Homer honour idea Iliad imitation implied infin Introd ipse Italy Juno Jupiter Juturna king Latin Lucr Lucret Lucretius meaning Mezentius mihi obliqua olim Ovid Pallas passage perhaps phrase Plaut Plautus plur poem poet poetical probably proleptic quae quam quid quod reading reference Roman Rome Rutulians seems sense Servius shield ships spear subj suggested supposed syllable synizesis temple tibi tmesis Trojan Troy Turnus ultro Venus verb viii vine Virgil Virgilian wind word zeugma καὶ
Popular passages
Page 391 - This book is a preservation photocopy. It was produced on Hammermill Laser Print natural white, a 60 # book weight acid-free archival paper which meets the requirements of ANSI/NISO Z39.48-1992 (permanence of paper) Preservation photocopying and binding by Acme Bookbinding Charlestown, Massachusetts CD 1995 The borrower must return this item on or before the last date stamped below.
Page 338 - But when the warrior dieth, His comrades in the war, With arms reversed and muffled drum, Follow his funeral car ; They show the banners taken, They tell his battles won, And after him lead his masterless steed, While peals the minute gun.
Page 14 - And when they list, their lean and flashy songs Grate on their scrannel pipes of wretched straw...
Page 319 - Incensed with indignation, Satan stood Unterrified, and like a comet burned, That fires the length of Ophiuchus huge In the Arctic sky, and from his horrid hair Shakes pestilence and war.
Page 230 - Where now thy might, which all those kings subdued ? No martial myriads muster in thy gate ; No suppliant nations in thy Temple wait ; No prophet bards, thy glittering courts among, Wake the full lyre, and swell the tide of song : But lawless Force, and meagre Want is there, And the quick-darting eye of restless Fear ; While cold Oblivion, 'mid thy ruins laid, Folds his dank wing beneath the ivy shade.
Page 239 - And rest can never dwell, hope never comes That comes to all, but torture without end Still urges, and a fiery deluge, fed With ever-burning sulphur unconsumed.
Page 349 - ... at all, it must be sought elsewhere. And, perhaps, if the fancy be permitted, we may imagine that we discern it best in the strange and yearning beauty of the passages which speak of the glorious girlhood of Camilla, the maid unwon; Camilla, whose death a nymph avenges, and whose tale Diana tells; Camilla, whose name leapt first of all to Virgil's lips as he spoke to Dante of their Italy in the underworld.
Page 366 - Glitt'ring lances are the loom, Where the dusky warp we strain, Weaving many a soldier's doom, Orkney's woe and Randver's bane.
Page 135 - Abide with me from morn till eve, For without Thee I cannot live ; Abide with me when night is nigh, For without Thee I dare not die.
Page 117 - Neptune, besides the sway Of every salt flood and each ebbing stream, Took in, by lot 'twixt high and nether Jove, Imperial rule of all the sea-girt Isles...