Structure in Milton's Poetry: from the Foundation to the PinnaclesMilton's skill in constructing poems whose structure is determined, not by rule or precedent, but by the thought to be expressed, is one of his chief accomplishments as a creative artist. Professor Condee analyzes seventeen of Milton's poems, both early and late, well and badly organized, in order to trace the poet's developing ability to create increasingly complex poetic structures. Three aspects of Milton's use of poetic structure are stressed: the relation of the parts to the whole and parts to parts, his ability to unite actual events with the poetic situation, and his use and variation of literary tradition to establish the desired structural unity. |
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Page 73
... true masques . " To understand the place of Comus in Milton's literary develop- ment it is more enlightening to discuss the masque as a tradition rather than to reify it as an entity with fixed characteristics . It is true that ...
... true masques . " To understand the place of Comus in Milton's literary develop- ment it is more enlightening to discuss the masque as a tradition rather than to reify it as an entity with fixed characteristics . It is true that ...
Page 122
... true ( in several senses ) name , his " divino nomine , " Diodatus , a " gift of God , " even though " silvÃsque vocabere Damon " ( 211 ) , a phrase which adroitly reminds us of the structu- ral progression of the poem . Now the earthly ...
... true ( in several senses ) name , his " divino nomine , " Diodatus , a " gift of God , " even though " silvÃsque vocabere Damon " ( 211 ) , a phrase which adroitly reminds us of the structu- ral progression of the poem . Now the earthly ...
Page 146
... true vision exclusively the achievement of the reader , and the view of Samson , Manoa , and the Chorus a distorted one , we have a decided departure from Milton's practice elsewhere ; in " Elegia Tertia , " Comus , " Lycidas ...
... true vision exclusively the achievement of the reader , and the view of Samson , Manoa , and the Chorus a distorted one , we have a decided departure from Milton's practice elsewhere ; in " Elegia Tertia , " Comus , " Lycidas ...
Contents
The Dynamic Structure of Paradise Lost | 5 |
The Early Latin Poems and Lycidas | 21 |
The Fair Infant Elegia Quinta | 43 |
Copyright | |
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achieves Adam Aeneas Aeneid answer appears beginning Book called Cambridge Christ closing Companion Complete Comus concerned concluding conventions course creates critics death discussion dynamic earlier early Elegia Tertia English epic epic tradition Epitaphium Damonis example exile extra-poetic fact father follow force functional gives Greek Greek tragedy Heaven hero heroic heroism ideas important integrated Italy John Milton kind later Latin lines London Lycidas Manso Mansus masque means merely Milton moves nature never Notes opening Ovid panegyric Paradise Lost Paradise Regained passage pastoral pattern physical play poem poet poetic poetry position praise present problem progression question reasons relation resembles resolution Samson Agonistes Satan says scene sense similar spirit stanza structure Studies technique thee things thou tion tradition tragedy Trans true turned ultimate University Press Vergil vision whole writing written York