Structure in Milton's Poetry: from the Foundation to the PinnaclesMilton's skill in constructing poems whose structure is determined, not by rule or precedent, but by the thought to be expressed, is one of his chief accomplishments as a creative artist. Professor Condee analyzes seventeen of Milton's poems, both early and late, well and badly organized, in order to trace the poet's developing ability to create increasingly complex poetic structures. Three aspects of Milton's use of poetic structure are stressed: the relation of the parts to the whole and parts to parts, his ability to unite actual events with the poetic situation, and his use and variation of literary tradition to establish the desired structural unity. |
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Page 77
... scene where the two brothers are frightened by the sound of the approaching Attendant Spirit : Eld . Bro . List , list , I hear Some far of hallow break the silent Air . 2. Bro . Me thought so too ; what should it be ? Eld . Bro . For ...
... scene where the two brothers are frightened by the sound of the approaching Attendant Spirit : Eld . Bro . List , list , I hear Some far of hallow break the silent Air . 2. Bro . Me thought so too ; what should it be ? Eld . Bro . For ...
Page 148
... scene in Sophocles and the scene in Milton are no more than superficial , and the similarities are put to no use by Milton . There is also a parallelism between Sophocles's scene involving Creon and Oedipus - where Creon tries first ...
... scene in Sophocles and the scene in Milton are no more than superficial , and the similarities are put to no use by Milton . There is also a parallelism between Sophocles's scene involving Creon and Oedipus - where Creon tries first ...
Page 167
... scene , and they leave the stage with the Lady saying to Comus , " Shepherd , lead on . " Vergil spins out the scene between Aeneas and Venus for almost a hundred lines while Aeneas begins to suspect that the maiden he has encountered ...
... scene , and they leave the stage with the Lady saying to Comus , " Shepherd , lead on . " Vergil spins out the scene between Aeneas and Venus for almost a hundred lines while Aeneas begins to suspect that the maiden he has encountered ...
Contents
The Dynamic Structure of Paradise Lost | 5 |
The Early Latin Poems and Lycidas | 21 |
The Fair Infant Elegia Quinta | 43 |
Copyright | |
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Adam Aeneas Aeneid Amor beginning Book Cambridge Christ Companion Pieces Comus concluding conventions course Daphnis death Diodati dise Lost dynamic early poems eclogue Elegia Quinta Elegia Tertia epic hero epic tradition epicedia epicedion Epistulae ex Ponto Epitaphium Damonis example exile extra-poetic problem Fair Infant functional God's Gostlin Greek grief hath Heaven heroic heroism icastic Il Penseroso important integrated John Milton L'Allegro Latin Poems literary Loeb Classical Library London Lycidas Manoa Manso Mansus masque Masque of Blackness means merely metaphor mihi Milton's development Milton's poem Nativity Ode Ovid Ovid's Oxford panegyric panegyric tradition Paradise Lost Paradise Regained Parker passage pastoral tradition Patrem patron pattern Penseroso play poem's poet poetic structure poetry praise relation resembles resolution Riley Parker Samson Agonistes Satan says scene silvae spirit stanza struc structural progression structure of Paradise technique thee thir thou Thyrsis tion topos tragedy Trans Tristia ultimate Vergil Woodhouse writing York