Structure in Milton's Poetry: from the Foundation to the PinnaclesMilton's skill in constructing poems whose structure is determined, not by rule or precedent, but by the thought to be expressed, is one of his chief accomplishments as a creative artist. Professor Condee analyzes seventeen of Milton's poems, both early and late, well and badly organized, in order to trace the poet's developing ability to create increasingly complex poetic structures. Three aspects of Milton's use of poetic structure are stressed: the relation of the parts to the whole and parts to parts, his ability to unite actual events with the poetic situation, and his use and variation of literary tradition to establish the desired structural unity. |
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Page 41
... Elegia Prima , " with its clever but superfical use of Ovid , was a brisk step in the right direction . It did more than echo Ovid ; it used Ovid to help unify the poem . " Elegia Tertia , " probably written a few months later , was ...
... Elegia Prima , " with its clever but superfical use of Ovid , was a brisk step in the right direction . It did more than echo Ovid ; it used Ovid to help unify the poem . " Elegia Tertia , " probably written a few months later , was ...
Page 43
Ralph Waterbury Condee. IV The Fair Infant , “ Elegia Quinta , " and the Nativity Ode But wisest Fate sayes no , This must not yet be so one Between " Elegia Tertia " and " Lycidas " are six poems ( seven , if counts " L'Allegro " and ...
Ralph Waterbury Condee. IV The Fair Infant , “ Elegia Quinta , " and the Nativity Ode But wisest Fate sayes no , This must not yet be so one Between " Elegia Tertia " and " Lycidas " are six poems ( seven , if counts " L'Allegro " and ...
Page 63
... Elegia Tertia " in that they achieve a union of the extra - poetic emotions of the two poems with their verbal entities . They also represent a de- velopment beyond " Elegia Tertia " in the direction of the kind of dy- namic structure ...
... Elegia Tertia " in that they achieve a union of the extra - poetic emotions of the two poems with their verbal entities . They also represent a de- velopment beyond " Elegia Tertia " in the direction of the kind of dy- namic structure ...
Contents
The Dynamic Structure of Paradise Lost | 5 |
The Early Latin Poems and Lycidas | 21 |
The Fair Infant Elegia Quinta | 43 |
Copyright | |
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achieves Adam Aeneas Aeneid answer appears beginning Book called Cambridge Christ closing Companion Complete Comus concerned concluding conventions course creates critics death discussion dynamic earlier early Elegia Tertia English epic epic tradition Epitaphium Damonis example exile extra-poetic fact father follow force functional gives Greek Greek tragedy Heaven hero heroic heroism ideas important integrated Italy John Milton kind later Latin lines London Lycidas Manso Mansus masque means merely Milton moves nature never Notes opening Ovid panegyric Paradise Lost Paradise Regained passage pastoral pattern physical play poem poet poetic poetry position praise present problem progression question reasons relation resembles resolution Samson Agonistes Satan says scene sense similar spirit stanza structure Studies technique thee things thou tion tradition tragedy Trans true turned ultimate University Press Vergil vision whole writing written York