Structure in Milton's Poetry: from the Foundation to the PinnaclesMilton's skill in constructing poems whose structure is determined, not by rule or precedent, but by the thought to be expressed, is one of his chief accomplishments as a creative artist. Professor Condee analyzes seventeen of Milton's poems, both early and late, well and badly organized, in order to trace the poet's developing ability to create increasingly complex poetic structures. Three aspects of Milton's use of poetic structure are stressed: the relation of the parts to the whole and parts to parts, his ability to unite actual events with the poetic situation, and his use and variation of literary tradition to establish the desired structural unity. |
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... book , and to Glasgow University for its hospitality in affording me the haven in which much of it was written . I am especially grateful to Professor Henry Sams of Penn State , whose faith that I would finish this book seems never to ...
... book , and to Glasgow University for its hospitality in affording me the haven in which much of it was written . I am especially grateful to Professor Henry Sams of Penn State , whose faith that I would finish this book seems never to ...
Page 15
... Books XI and XII of Paradise Lost , and that of Aeneas , explicated by Anchises in Book VI of the Aeneid , is very close , and the parallelism is important to Paradise Lost : as Aeneas sees the trials , the sorrows , and the ul- timate ...
... Books XI and XII of Paradise Lost , and that of Aeneas , explicated by Anchises in Book VI of the Aeneid , is very close , and the parallelism is important to Paradise Lost : as Aeneas sees the trials , the sorrows , and the ul- timate ...
Page 169
... Book IX by its scorn for tinsel trap- pings , although Paradise Lost , for all its progression toward a Paradise within , never approached this extreme . And it is hard to see how an epic poem could go much further than this toward ...
... Book IX by its scorn for tinsel trap- pings , although Paradise Lost , for all its progression toward a Paradise within , never approached this extreme . And it is hard to see how an epic poem could go much further than this toward ...
Contents
The Dynamic Structure of Paradise Lost | 5 |
The Early Latin Poems and Lycidas | 21 |
The Fair Infant Elegia Quinta | 43 |
Copyright | |
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Adam Aeneas Aeneid Amor beginning Book Cambridge Christ Companion Pieces Comus concluding conventions course Daphnis death Diodati dise Lost dynamic early poems eclogue Elegia Quinta Elegia Tertia epic hero epic tradition epicedia epicedion Epistulae ex Ponto Epitaphium Damonis example exile extra-poetic problem Fair Infant functional God's Gostlin Greek grief hath Heaven heroic heroism icastic Il Penseroso important integrated John Milton L'Allegro Latin Poems literary Loeb Classical Library London Lycidas Manoa Manso Mansus masque Masque of Blackness means merely metaphor mihi Milton's development Milton's poem Nativity Ode Ovid Ovid's Oxford panegyric panegyric tradition Paradise Lost Paradise Regained Parker passage pastoral tradition Patrem patron pattern Penseroso play poem's poet poetic structure poetry praise relation resembles resolution Riley Parker Samson Agonistes Satan says scene silvae spirit stanza struc structural progression structure of Paradise technique thee thir thou Thyrsis tion topos tragedy Trans Tristia ultimate Vergil Woodhouse writing York