Structure in Milton's Poetry: from the Foundation to the PinnaclesMilton's skill in constructing poems whose structure is determined, not by rule or precedent, but by the thought to be expressed, is one of his chief accomplishments as a creative artist. Professor Condee analyzes seventeen of Milton's poems, both early and late, well and badly organized, in order to trace the poet's developing ability to create increasingly complex poetic structures. Three aspects of Milton's use of poetic structure are stressed: the relation of the parts to the whole and parts to parts, his ability to unite actual events with the poetic situation, and his use and variation of literary tradition to establish the desired structural unity. |
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Page 10
... Aeneas , an epic hero . Indeed , Satan is not the victor and Adam is not " foiled , " but departs in a state of enlightenment which defies reduction to a single phrase . Milton is a very subtle and complex poet and never more complex ...
... Aeneas , an epic hero . Indeed , Satan is not the victor and Adam is not " foiled , " but departs in a state of enlightenment which defies reduction to a single phrase . Milton is a very subtle and complex poet and never more complex ...
Page 15
... Aeneas . The parallel between Adam's vision of the future , explicated by Michael in Books XI and XII of Paradise Lost , and that of Aeneas , explicated by Anchises in Book VI of the Aeneid , is very close , and the parallelism is ...
... Aeneas . The parallel between Adam's vision of the future , explicated by Michael in Books XI and XII of Paradise Lost , and that of Aeneas , explicated by Anchises in Book VI of the Aeneid , is very close , and the parallelism is ...
Page 167
... Aeneas and Venus for almost a hundred lines while Aeneas begins to suspect that the maiden he has encountered is some goddess in disguise , but he does not know who . He half believes her denial , and only as she leaves does he discover ...
... Aeneas and Venus for almost a hundred lines while Aeneas begins to suspect that the maiden he has encountered is some goddess in disguise , but he does not know who . He half believes her denial , and only as she leaves does he discover ...
Contents
The Dynamic Structure of Paradise Lost | 5 |
The Early Latin Poems and Lycidas | 21 |
The Fair Infant Elegia Quinta | 43 |
Copyright | |
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achieves Adam Aeneas Aeneid answer appears beginning Book called Cambridge Christ closing Companion Complete Comus concerned concluding conventions course creates critics death discussion dynamic earlier early Elegia Tertia English epic epic tradition Epitaphium Damonis example exile extra-poetic fact father follow force functional gives Greek Greek tragedy Heaven hero heroic heroism ideas important integrated Italy John Milton kind later Latin lines London Lycidas Manso Mansus masque means merely Milton moves nature never Notes opening Ovid panegyric Paradise Lost Paradise Regained passage pastoral pattern physical play poem poet poetic poetry position praise present problem progression question reasons relation resembles resolution Samson Agonistes Satan says scene sense similar spirit stanza structure Studies technique thee things thou tion tradition tragedy Trans true turned ultimate University Press Vergil vision whole writing written York