Distracted Subjects: Madness and Gender in Shakespeare and Early Modern Culture
In the first book to provide a feminist analysis of early modern madness, Carol Thomas Neely reveals the mobility and heterogeneity of discourses of "distraction," the most common term for the condition in late-sixteenth- and early seventeenth-century England. Distracted Subjects shows how changing ideas of madness that circulated through medical, dramatic, and political texts transformed and gendered subjectivities. Supernatural causation is denied, new diagnoses appear, and stage representations proliferate. Drama sometimes leads and sometimes follows other cultural discourses—or forges its own prophetic figures of distraction. The Spanish Tragedy first links madness to masculine tragic self-representation, and Hamlet invents a language to dramatize feminine somatic illness. Innovative women's melancholy is theorized in medical and witchcraft treatises and then elaborated in the extended portrait of the Jailer's Daughter's distraction in The Two Noble Kinsmen. Lovesickness, newly diagnosed in women, demands novel cures, and allows expressions of transgressive sexual desire in treatises and in plays such as As You Like It. The rituals of possession and exorcism, intensely debated off stage, are mocked and exploited on stage in reiterated comic scenes of confinement that madden men to enhance women's power.Neely's final chapter provides a startling challenge to the critically alluring analogy between Bedlam and the early modern stage by documenting that Bethlem hospital offered care, not spectacle, whereas stage Bedlamites served metatheatrical and prophylactic, not mimetic, ends. An epilogue places this particular historical moment within the longer history of madness and shows how our own attitudes toward distraction are haunted by those earlier debates and representations.
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Initiating Madness Onstage Gammer Gurtons Needle and The Spanish Tragedy
Reading the Language of Distraction Hamlet Macbeth King Lear
Diagnosing Womens Melancholy Case Histories and the Jailers Daughters Cure in The Two Noble Kinsmen
Destabilizing Lovesickness Gender and Sexuality Twelfth Night and As You Like It
Confining Madmen and Transgressing Boundaries The Comedy of Errors The Merry Wives of Windsor and Twelfth Night
Allderidge Antipholus audiences Bedlam Bedlamites Bethlem Hospital bewitchment body cause Changeling chapter characters circulate claims Comedy of Errors comic condition confinement cultural cure deluded melancholics desire diagnoses Diccon disease distraction doctors drama earlier early modern emergent emphasizes erotic exorcism Falstaff fantasy farcical female Ferrand Gammer Ganymede gender Hamlet hath hence Hieronimo Honest Whore humoral husband identifies imagination Isabella Jacobean Jailer's Daughter Jan Steen King Lear Lady later Lear Lear's London lovesickness discourse Macbeth MacDonald madmen madpersons male Malvolio marriage melan mental disorder misogyny mock Napier's ness Noble Kinsmen Northward Ho Olivia Ophelia's Orsino Palamon patients performed period play play's plot poor possession punished quarto Renaissance representations represented revised rituals role Rosalind satiric scene secular seventeenth century sexual Shakespeare social Spanish Tragedy spectacle stage supernatural symptoms texts theater theatrical theory therapy tion tradition treatises Twelfth Night wife witchcraft witches wives woman women