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abstract art abstract painting aesthetic Alois Riegl anthroposophy art theory artists attitude aware believed Bergson called cave paintings color composition concept concerned Conrad Fiedler context critics culture decades discussion doctrine E. H. Gombrich Egyptian art emotional empathy European expression Fechner Fiedler figure founders of abstract Gaston Maspero Gauguin Goncourts haptic harmony Hildebrand human ideas ideoplastic impact impressionism impressionists intellectual Kandinsky Kandinsky's Kunstwollen looking mainly material means mind modern Mondrian movement nature nineteenth century objects original painters perceived perception philosophical prehistoric art primitive art primitivism problems psychology pure question reality reflection on art Renaissance representation Riegl Robert Vischer sculpture Semper sense sensual shapes significance specific spectator Spiritual in Art stage Stilfragen student style subject matter term theoretical theory of art theosophy thought tion tradition trend ture twentieth century Verworn Vischer visual arts visual experience Worringer wrote
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