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absolute pitch Acoust amplitude analytical auditory level chord class chord progressions chroma chromatic scale complex tone sensations consonance context corresponding critical bandwidth cultural cycle of fifths diatonic scale dissonance dyads effect equal temperament evoked experiment experimental frequency ratios full complex tones function fundamental harmonic relationship harmonic series heptatonic scale intonation Krumhansl listeners loudness masking mean responses melodies minor scale minor seventh minor triad monic multiplicity music perception music theory music-theoretical musical chords musical intervals musical tones non-musicians octave equivalence octave-spaced tones perceived perfect fifth physical pitch category pitch classes pitch commonality pitch distance pitch pattern pitch relationships pitch shifts probe tone psychoacoustical Psychol pure tone components pure tone sensations range relatively residue tone root salience Sect semitones sequential tones seventh chord similarity spectral pitch template Terhardt threshold timbre tion tonalness tone simultaneities tonic trials values voices waveform Western music Western musicians
From Google Scholar
Eric D Scheirer - 2000
EMMANUEL BIGAND, RICHARD PARNCUTT, FRED LERDAHL - 1996 - Perception & Psychophysics
David Huron - 2001 - Music Perception
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Kjell Lemström, Jorma Tarhio
Parncutt, R. (1989). Harmony: A Psychoacoustical Approach
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